It has as many megapixels as your film and scanner combination can produce. Headline spec for the F6: 5.5fps without the grip, 8fps with CAM2000 11-point (9 cross) AF sensor module, shared with the D2-series cameras RGB matrix meter and 100%, 0.74x magnification finder. The F6 uses a pair of CR123A lithiums it lasts a bit longer, but two of those things still costs quite a bit more than a whole set of AAs for the F5. ![]() One can only suppose the F5 required a built in because of its insatiable hunger for AA batteries. (Too bad, because the super-high eyepoint sports finder for that camera was a thing of beauty easily the largest and brightest finder I’ve ever seen on a 35mm SLR.) It also revered to the F4 and previous designs that made the vertical grip a detachable unit, as opposed to the built-in on the F5. The camera differs from its predecessors in many ways – firstly, it’s the only single-digit (pro) F body to lack interchangeable prisms apparently this feature was so seldom used on the F5 that it was dropped. ![]() ![]() In 2004, however, Nikon gave the world one last hurrah in its long lineup of film cameras – the F6. ![]() Many thought this camera would never see the light of day, or it would do so as some strange film-digital hybrid with interchangeable backs.
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